Digital Camera Reviews

Nikon S620

Nikon S620 of digital camera reviews
 Nikon S620 This model has a 12 million effective pixels, is equipped with 28-112mm equivalent focal length of the four anti-shake optical zoom Nikkor lens, using a 2.7-inch 230,000-pixel LCD screen, and have super-fast 0.7 seconds Quick Start function, and two cm macro shooting performance.
  Nikon S620′s optical lens shift VR stabilization function that can compensate for camera shake caused by impact. Dynamic detection can be automatic shutter speed and ISO settings, compensate for camera shake and subject movements. In all image size setting, ISO 6400 high sensitivity can be used in a poorly lit environment, fast-moving objects or shooting in order to obtain a higher shutter speed. In addition, Nikon’s exclusive Best Shot Selector (BBS) feature can automatically capture a series of consecutive frame, and save them a focus of the most accurate images.
  Nikon S620′s scene auto selector can shoot the scene need not manually select the scene mode that allows instant shooting faster and easier. COOLPIX S620 features the first use of the smart object and its environment on the shooting analysis, and then automatically selects the most appropriate scene mode, get the best optical effect. Object tracking by locking focus, auto-track targets moving scene to ensure that the camera shutter release the best time to appear able to achieve precise focus and quick response. Especially suitable for children or pets shot scenes of natural activity, even in the scene out of the screen 12 seconds of time, automatic tracking will still work.
  Editorial:
Nikon S620 as the S610 for the upgrade of the inherited 28mm wide-angle performance, landscape photography has an inherent advantage. VR optical image stabilization technology, with high sensitivity and select the best combination of photographs, basically to prevent the generation of fuzzy pictures. Scene Auto Selector, in fact, smart capture mode, so you need not worry about parameter settings, simply pressing the shutter can get excellent results.
   Ultimate showdown card Fuji Nikon S620 Comparative evaluation F200EXR
   When a few years ago Fuji F30, F31fd, when listed, Fuji natural image of this concept began to everyone left a deep impression on him. With a strong control of their noise performance, gorgeous color and fit for the price of a large number of consumers preferred to buy the card machine. Of course, when the F30 and F31fd always hoped that the pixels can be higher, quality can be more sharp and more, it is best to bring optical image stabilization and wide-angle and then this configuration is even more perfect. Today, a large set of the year hopes to have a card machine in front of us, as the Fuji F series, the flagship model, Fuji F200EXR let us relive the proposed projects, once again become a card machine quite a lot of competitors in the market.
    Today’s nor destabilize F200EXR Dengxianzhibei, S620 Nikon S series is the perfect product of years of evolution, compared to the year varied functions S1, S2, S3, S4 at the same time the chaotic years of existence, S620 is a fairly mature the card machine. Although the Nikon digital SLR is still the hands of the largest block of cake, but the S620 whether from the appearance or the configuration card machines nowadays have to keep up with the mainstream trend.
     Fuji F200EXR is still mired in the appearance of the structure of the F100, at both ends of the construction of large middle small camera were relatively rare, but has always paid great attention to pragmatic Fuji brings more suitable for carrying grip feeling. The design of the fuselage on the back to listen to a lot of user feedback, a marked change compared to F100, the new mode dial with the classic button layout to come. LCD in the F200EXR get re-upgrade, extra-large 3-inch panels to make shooting and playback more comfortable, but can further enhance the pixels on the even more attractive.
    Nikon S620 fuselage slightly smaller circle no more space for the LCD and buttons, it looks more compact some, would be more convenient to carry around. However, the touch when shooting on the same F200EXR showing a larger gap. As the Fuji F200EXR thumb gripping the back of the fuselage where exactly the shooting mode dial, so slip a good effect, coupled with the camera raised the front of the plate to help make the whole camera in shooting with a fairly safe among the hand-held feelings of .
   In contrast, the Nikon S620 positive no-slip design, the back of the anti-skid particles are too close to the edge, filming the process, always feel that people around the wrist strap would be more feel relieved. In addition, the Nikon S620 right and left sides of the metal material from a product design point of view really brings touch of fashion, but that does not discuss all like it, unusual fingerprints exposed to the shortcomings of S620 is not the first one, of course, will not be the last one, believed to be more Love is not like such a clean design.
   In the lens, it is now on the market each speaker’s top card machines are beginning to have a bigger zoom, wide-angle has become a very common configuration, these two cameras is naturally no exception. Fuji F200EXR using 5 optical zoom 28-140mm Fujinon lens, Nikon S620 is used four optical zoom 28-112mm lens, in theory, the difference is still relatively weak. But the actual filming of the results and the nominal data is different. In the 28mm wide-angle end, respectively, fixed-point shot with two cameras, the same point of view photos, from the received image point of view, it is easy to see F200EXR some larger perspective than the S620, S620 I do not know the focal lengths of the focal lengths to shrink or F200EXR more preferential treatment.
  Fuji F200EXR in the telephoto end of the 1 per cent more times zoom, compared to the previous figure can be seen in the perspective tighter than the S620, but that’s not a big advantage, appealing the longer telephoto side with the greater Let F200EXR got thinner aperture depth of field, because of this close-up pictures taken F200EXR among the more obvious distinction between subject and background. In the test between the two levels of image distortion, the inadvertently reinforce the previously mentioned wide-angle side angle differences. As for the two lens distortion has basically remained at the same level as the field for the configuration in a small lens on the card machine, this type of performance has been quite satisfactory.
  Dispersion is also more difficult to make a small digital camera, a part of the price even if some of the red circle over 10000 single-lens reflex can not escape the purple fringe interference. However, comparing the actual result after shooting surprising, though, and before the use of the same one lens, but it seems to F200EXR dispersion control is more perfect than before, only sporadically on the screen some of the purple fringe are lighter in color. Contrast Nikon S620 dispersion control can only be described as very bad, dispersion phenomena throughout the picture, purple fringe width and color are also very obvious, even in thumbnail can feel a slight color cast caused by purple fringe phenomenon, Even such a serious phenomenon occurred in a home also makes the camera feel very unhappy. F200EXR Fuji Fuji Film in color has an analog function, this function as early as on the S100FS has been broad user acceptance. And other brand cameras, color saturation adjustment in the different functional simulation of Fuji Photo Film classics such as Fuji Velvia film is the true color tone respectively, is part of the screen colors, but not without the purpose of the overall improvement of saturation, so that the picture appear bright on the basis of actual outstanding. In contrast, Nikon card machine is becoming increasingly closer to the feeling of its own SLR camera, the whole picture is very bright, thus abuses is to let the original resolution for forces less than the card on the machine screen losing more details, too bright showing a boring place the blocks of color, hue overall warmer yellowish, some leave a little bit too bright. From the outset, was suppressed compared to the current Nikon S620 in macro tests were finally shown their own advantages, with the recent shooting distance of 2cm inherent advantages of Nikon S620 at the wide end of macro shooting them more readily available than F200EXR magnification close-up images of high, F200EXR shooting distance of 5cm Macro is a bit much for some of it. Fortunately, F200EXR has a longer focal length and larger aperture configurations, using telephoto, when shooting macro, F200EXR once again demonstrates a clear advantage, shooting Nikon S620 is the background for the macro photography is a bit messy. As the cameras continue to improve the algorithm, high-tolerance has not only the advantages of digital SLR can be exclusive. Fuji F200EXR high dynamic range which can be easily done. From the above we can see the image contrast, Fuji F200EXR footage from some of the brightest highlight to the darkest shaded area have preserved a wealth of details visible, while the Nikon S620 footage despite the contrast of large, but high light some of and the dark is not truly a pleasure, because these parts have no details to speak of.
  Be able to maintain the purity of the screen from start to finish is F200EXR sensitivity performance of the largest in the impression. Is equipped with two camera’s sensitivity is closer, but the style and effectiveness of noise control a big difference. The ISO100, the two cameras had good image quality, but the screen contrast F200EXR be more clear-cut some, raised to between ISO200 and ISO400, both of which appeared in some noise interference, but the S620 has always been slightly more serious cases than F200EXR. Starting from ISO800 to ISO6400, Nikon S620 blurring the screen straight up, and there was an obvious variegated interference contrast images F200EXR among the contour lines are retained fairly clear, even the highest ISO12800 also has a certain degree of practical value, the picture is not superfluous variegated mixed, if it is used as a common network of small size map, there is no big problem.
PK Summary:
    Nowadays a variety of new selling point for digital cameras continue to flood the market, including some style and no substance, in the small home camera field, quality has always seemed to be the vast majority of people would not be far the most attention to that part, and sometimes a good appearance, or a whim of the gimmick may be the imaging quality will be more than the practical attention.
    Fuji camera seems to give us the impression that such an approach has not been detached, only adhere to the fundamental image quality is the photography. F-from the earliest models, Fuji for us to build a series of classic models, although their configuration and appearance of the constantly changing, but the F series cameras give us a pleasant surprise so far is ongoing. Has been clearly shown by comparing the power of the office F200EXR Fuji, F200EXR equipped with a flagship card should have a good image quality and the People First has always been the sales price, F200EXR the advantages of similar products is not a short period of time built up, It is not the natural advantage of a short period can be transcendent.
  Nikon S620 for Camera reviews Source: Digital Camera reviews, reproduced Camera reviews please indicate the source. I very much welcome you to my blog article reproduced to various forums and blog, but please specify the article reproduced from www.bb1bb.com, thank you!
More Nikon reviews: http://www.bb1bb.com/tag/nikon/
Nikon’s official website: http://www.Nikon.Com

Related posts:

1. Nikon D3S digital camera reviews
2. Nikon D300S digital camera reviews
3. Nikon S570′s digital camera reviews
4. Nikon D700 digital camera reviews
5. Nikon D400 camera reviews
6. Nikon D40 digital camera review
7. Nikon D3S digital camera review
8. Nikon D3000 digital camera review
9. Nikon S220 digital camera review
10. Nikon S630 digital camera review

Tags: Nikon, Nikon S620

This entry was posted on Wednesday, January 20th, 2010 at 2:22 am and is filed under Nikon. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.